Arabesque Aura Philosophical Roots: Arabesque emerged partly from the Islamic prohibition against the representation of living beings, leading artists to explore non-figurative art. This artistic direction was also influenced by Islamic theology, where the infinite patterns reflect the infinite nature of God and the universe's intricate order. In Literature and Music: The term "arabesque" extends beyond visual art. In music, composers like Robert Schumann and Claude Debussy used "arabesque" to describe pieces characterized by ornate, intricate melodies, mirroring the visual complexity of the art form. In literature, Edgar Allan Poe's poem "The Philosophy of Composition" mentions "arabesque" to denote a style of narrative filled with intricate detail.