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rs79 cv | budget | draft 1 | support material | award
rs79 media
RS79 media | due oct 13


does not pay for promotional marketing.


Proposed Use of Grant, Artists Resume / CV, Budget, and Support Material: • The Proposed Use of Grant is separated into two questions a 1000-word brief description of how the proposed work relates to your overall practice; and the relevant themes, techniques, aesthetic and cultural concerns that you plan to explore. A 500-word brief description of the work, including planned treatment of production, visuals and sound. • An Artists Resume / CV detailing your artistic experience. • Budget must reflect the entire project. The total revenues must equal the total expenses. • Support Material is an important part of the application. Grant review panel decisions are largely based on the review of examples of your previous work and/or current works in progress. Up to two separate projects may be included. Each example can be a maximum of 5 minutes. Provide a link to the video files and,
Visual representation of the killifish evolution theory
Culminating my life's research through a new creative expression; morphology, image editing resulting in video media art with great meaning. We have the database of fish photos, ready to be Morphed. We wish to create a Media Art Video on the Web that illustrates a hypothetical change in Killifish appearances.
------------1000 words: --------------------- how you will explore:

Themes:

1) Biodiversity of indigenous creek fishes- i plan to select the images which make the most impact and have the most meaning. fishes are shaped by their environment, and their appearance is closely linked with it. this morph project will emphasize those changes. morphing relates b/c of the great biodiversity of creek fish, also known as killifish. there are 16,000 species, all with highly variable characteristics. with so much data to look at, pictures, samples, descriptions, its hard to make comparisons to help draw scientific conclusions. new ways of looking at data, in this case, pictures to be morphed, can creatively visualize evolution in a way never seen before.
its important to understand these fish because they tell us about their environment, and they live in niches, often un-explored or undiscovered for thousands of years.

2) How social media affects scientific life and biology- explore this theme by creating a web-interactive media form. this video content taken from social media, then when finished shared with social media, for input, comments, feedback, discussion, and general education, hopefully gaining public insight into the cause for rare & endangered fish.

With social media, there is a dynamic between the scientific members of the killifish community, and the non-scientific members who are involved in other ways, and are just as important. For example:

on any average day, there is a collector who visits a remote region of a foreign country, say west Africa in the jungle. They travel for 8 hours in a car on bumpy unpaved roads to get to an even more remote area. they are covered in blood-sucking insects, its hot and humid. They finally stop and get to a small undisturbed creek. its a part of the world that looks like no man has ever been there. the collector nets some fish from the river. he photographs them in a clear plastic bag, sending the picture to social media groups for identification. he will continue the process, saving some fish for samples.

on social media, the pictures are then shared and discussed with hobbyist, breeders and ichthyologists. they count fin rays, scales, bands of colour in order to identify the specimen. every number of every detail matters. if there is no identification found, the fish is labelled as a new species, with a code for the area, date, and collector that found it. And all this can be done by noon that same day.

This process has been done thousands of times and these fish pictures are already sorted by name, date, location, and species.

Now the photos are curated, phylogeny can be discussed. Without the large number of photos obtained and discussed on social media, creating the taxonomy for the species might have been impossible. it sure makes it a lot easier and quicker. this speedy tactic helps not only fish curators, but also the fish themselves.
in this way, social media input helps create the Morphology project videos.

3) Extinction of fish species- this project explores Extinction as a theme through morphology videos by revealing the pace of evolution; where it slows down, or happens faster. because of the niche nature of killifish, they have this unique window into evolution.
200 million years ago shore-fish left the marine water and began to occupy the landmass of the super-continent Pangaea. Over the next 50 million years Pangaea broke up and became the modern world. The highly adaptable killifish being forced to evolve to new post-breakup environments after a few more million years, isolated populations gave rise to a myriad of colours and patterns that would rival the most colourful marine fish. In our work, we had discovered a new physical metric based on some markings that are common to nearly all fish but have been thus far overlooked, and may explain the evolutionary path at work here, that caused the rise in the number of Cyprinodon morphotypes producing a family with the greatest diversity in colours and colour patterns of any family of fish anywhere. with the use of this new findings, we hypothesize and illustrate some possible ancestors and missing links that will reduce the number of unknowns in the phylogenic trees - an important step for determining extinct, endangered, and threatened species.

Technique: Exploring a new technique of content production which includes use of a image database converted to a Morphology video format; The database being a self-written computer bioinformatics system. morphology media video format. The morphology image manipulation will be done using this curated collection of photos taken from 10 years of social media posts. we believe there will be advantages to this, including:
morphology video is relevant to my overall work because of the culmination of the very same killifish pictures I have curated, that is straightened, cropped, edited out the background from those images. by sorting these into the taxonomy, i have created the basis needed to create morphology videos. these videos will help visualise how changes happen in a way that other creative mediums can't.

its a special way of looking at evolution, which I am in a unique position to do.



Aesthetics: scientist ahve spent deacedes tryign to understand this family of fishes and either overlooke dor nto understood the red markings near the throat of these fish. these markings can be foudn in other fmaily of fish and in fact showed up long before fish had evolved from eel and wormlike creature. the anture and shape of these carmine vermiform markings, which were once straight lines indicates hwo much of a change in the head there ahas been, becusae of years of evoluton btu also provides soem semblance of a time scale we postulate it is possibel to tell where onthe evolutioanry time scale any of hese fishes are because of these markings.

thsu its an overlooked aesthetic concerning that may provide a big clue to the long term family history of these fishes which has been alluding sceitnist for over a 100 years.

in short, researchers may have spent too much tiem looking at bones and teeth, and not enough tiem understnding why the fish has those colour patterns. once this aestithc is exlpoerd in detail, it amy add a new tool to the arsenal availablt to the taxonomist.

An accurate portrayal of endangered and extinct fishes. A scientific specimen format that is easy for the layperson to understand and relate to.



Cultural Impact: Killifish are found globally and impact many cultures through trades and sales of fish and fish-tourism. Understanding these fish with Morphology videos brings the public an awareness of how evolution works, of endangered species, and of geographically diverse human cultures.

fish tourism impacts: similar to eco-tourism. 1) brings awareness of keeping clean habitats for endangered local fish. 2) educational advantages, students of all ages can do fieldwork studies. 3) furthering the science of fish taxonomy, and the global scientific community's knowledge of species.

this relates to my work as i 1) work with locals and natives through internet chat forums, sharing publications, scientific documents, graphs and literature, specimen photos. educational sharing.

The mission is to record all these fish before they go extinct. we cant save them at this point. all we can do is photograph them before they go.

production time: $2000 of labour equals a wk is 40 hr 80 hours.
given a workday of 4 hrs, 3x per week. thats 12 hrs per week. 80/12= 6 weeks .
hired artist has $1000, or 20 hrs labour to do editing and clarifying images for morphing.
this means we have 3 sessions per week x 6 wks, total of 18 sessions of production.
we plan to do produce 1 video per day/session. so, 18 videos, of 18 different species morphs.


-------------------------500 words: ----------------------
* Brief description of the work, including planned treatment of production, visuals and sound: work:

Our goal is to make morph video for all common ancestors from the charts, which number 18 and go 3 levels deep into the taxonomy chart. Each video will be 1-3 minutes long, with high resolution and highest quality possible. A synthesis in the form of a new media video is presented to explain the evolution from the first shore-fish into the diverse killifish family tree.
Several of these evolutionary pathways represented by images of 3 or 4 related fish kept millions of years apart, show the development of individual species as they morph from marine shore-fish to a small inhabitant of a freshwater creek in the tropics and neotropics.


Production Summary:

Timetable:
1) 2 weeks pre-production
2) 6 weeks production
3) 2 weeks post-production
4) done.
5) webpage will be periodically updated with relevant discussion on family morph video project.
Description:
1) Pre-production(2 weeks): acquire images for all nominal Killifish species. Break down taxonomy into groups by evolutionary clade. The synthesis of the proposed evolutionary theory will be represented as a directed graph on the webpage, that is a killifish family tree of phylogenic origin.

2) Production time(6 weeks): Director/Animation Artist: Minimum 80 hours of content production process over 6 weeks. Duties: image editing, Morphing, video editing and processing. Post relevant information with video to webpage.

Secondary Animation Artist: 20 hrs over 6 weeks. Editing and clarifying images for morphing. Duties include weekly consult with director and finish assigned tasks.

We plan to do produce 1 video per day/session over 18 sessions. So, 18 videos, of 18 different species morphs. Total running time is somewhere between 18-54 minutes.

3) Post-Production(2 weeks). Director/Animator Duties: video editing, uploading to web, finalize family morph pages. Continue campaigning for awareness, participation in and recording of discussions which will be maintained by me in future.
Each Production session will include:
1) Each raw photo is hand-edited to remove background and JPG artifacts, match colours by light temperature, cropped, flipped, straightened, etc.
2) Fish photo is matched with fish photo 2, being species 1 and species 2 accordingly.
3) The 2 images are animated via software into morphology program, with careful control of metrics: video speeds, frame rate, etc.
4) The resulting video is edited as necessary, cropped, etc.
5) The video is posted at the web page for the family branch. the process is complete, and repeated for each of the 18 families.
6) End result is a complete webpage with morph video and relevant supporting information.

Visuals: High-resolution, high quality morphing videos, using digitally re-touched pictures. One fish morphs into the next with slow, frame by frame changes.

Webpage will include supporting imagery to convey significance of the family and the evolutionary markings visible. This may include: anatomical diagrams, photographic close-ups, phylogeny charts, before and after morph photos.

The goal here is to create an accurate portrayal of endangered and extinct fishes; in a format that is easy for the layperson to understand and relate to.

Sounds: n/a. No plans to include sound at this time. However future projects might add an immersive environment audio track featuring creek habitat sounds. --------------- For example, Killi Photo 1 merges into Killi Photo 2, representing species 1 and species 2. You don't have to be a scientist to appreciate the aesthetic merit of what would otherwise be a scientific visualisation.

this morphology video project is relevant to my overall work because of the culmination of the very same killifish pictures I have curated, that is straightened, cropped, edited out the background from those images. by sorting these into the taxonomy, i have created the basis needed to create morphology videos.
support material:
source: http://encycloquaria.com/misc/sci/evolution/killifish/.images/00-0-Copr_2017-unknown.jpg
title:phylogeny chart, killifish evoltuoion
description: each place where the lines intersect, there is a common ancestor. we plan to start from the oldest killifish families, the first 3 levels of the chart.

animation: storyboards
section:
webpage opens
title of family
video of fish morph
summary of video
circled location on phylogeny chart
links to discussion forums
end web page
duplicate this section times 18. each of the 18 families gets its own web page featuring its morph video.


mk oliver: killifihs have the greatest colour forms 2nd to that is malawi cichlids same cprobelm set diff family of fish.

notes: museum: gets paid from our grant. next time we will work to a bigger grant. note: african killies are bigger and more evolved b/c they dont have winter so they grow 100% of the time. note: yellow killi b/c of yellow clay water.
notes:
how many common ancestors: 3 important ones.
6 level below that.
9 below that. Our goal is to make morph video for all common ancestors from the charts, which number 18 and go 3 levels deep into the taxonomy chart. Each video will be 1-3 minutes long, with high resolution and the highest quality possible. This synthesis in the form of a new media video is presented to explain the evolution from the first shore-fish into the diverse Killifish family tree. Several of these evolutionary pathways represented by images of 3 or 4 related fish kept millions of years apart, show the development of individual species as they morph from marine shore-fish to a small inhabitant of a freshwater creek in the tropics and neotropics. Production Summary Timetable: 1) Pre-production(2 weeks): acquire images for all nominal Killifish species. Break down taxonomy into groups by evolutionary clade. The synthesis of the proposed evolutionary theory will be represented as a directed graph on the webpage, that is a Killifish family tree of phylogenic origin. Consult with icthyologists. 2) Production time(6 weeks): Director/Animation Artist: Minimum 80 hours of content production process over 6 weeks. Duties: image editing, Morphing, video editing and processing. Post relevant information with video to webpage. Secondary Animation Artist: 20 hrs over 6 weeks. Editing and clarifying images for morphing. Duties include weekly consult with director and finish assigned tasks. We plan to do produce 1 video per day/session over 18 sessions. So, 18 videos, of 18 different species morphs. Total running time is somewhere between 18-54 minutes. 3) Post-Production(2 weeks). Director/Animator Duties: video editing, uploading to web, finalize family morph pages. Continue campaigning for awareness, participation in and recording of discussions which will be maintained by me in future. Each Production session will include: 1) Each raw photo is hand-edited to remove background, JPG artifacts, colours matched by light temperature, cropped, flipped, straightened, etc. 2) Fish photo is matched with fish photo 2, being species 1 and species 2 accordingly. 3) The 2 images are animated via software into morphology program, with careful control of metrics: video speeds, frame rate, etc. 4) The resulting video is edited as necessary, cropped, etc. 5) The video is posted at the web page for the family branch. the process is complete, and repeated for each of the 18 families. 6) End result is a complete webpage with morph video and relevant supporting information. Visuals: High-resolution, high quality morphing videos, using digitally re-touched pictures. One fish morphs into the next with slow, frame by frame changes. Webpage will include supporting imagery to convey significance of the family and the evolutionary markings visible. This may include: anatomical diagrams, photographic close-ups, phylogeny charts, before and after morph photos. The goal here is to create an accurate portrayal of endangered and extinct fishes; in a format that is easy for the layperson to understand and relate to. Sounds: n/a. No plans to include sound at this time. However future projects might add an immersive environment audio track featuring creek habitat sounds.
Hello Nathan; My wife and I are applying or a grant to the Toronto Arts Council to make a series of animated videos of Killifish evolution. If you look at the chart found by Near 2013, and the one here of Killifish, then I want you to notice where each line splits off and becomes 2 lines. That represents a common ancestor. To date I am not aware of any of these cladograms that illustrate even a hypothetical ancestor and that's exactly what we want to do for Killifish. I have stumbled onto a new way to interpret the vermiform throat markings ("red lines") and have studied the colour patterns of Killifish my whole life ( I retired last year) and believe I can provide a strong argument as to the shape, colour pattern, and colouration of these common ancestors dating back to the first Killifish. The good news is there's no work for you, the bad news is there's no money for you either. It's only a $6000 grant, but its a feasibility study, we have other projects in mind we'd like to do with the ROM, but lets start with something small. All I want you to do on this is view the finished animations and read the methodology of how this all works as sort of a sniff test. If it sounds crazy say so. If it's a reasonable hypothesis, then I've done my job. Does this sound like something you might be interested in Nathan? Sincerely, Richard Sexton
; ive got a little research project im trying to use the vermiform throat markings found on so many families of fishes as an aid to phylogenic forensics with an eye towards making images of intermediate ancestors based on colour patterns towards which the colour patterns are most signifant- the reason being these patterns existed in ancestors of fish, the eels, and possibly evn beore that. i need to do a large number of animations to shwo morphing of theses forms as they evolved. if this grant coems through attachments: Near, 2013: https://www.pnas.org/doi/abs/10.1073/pnas.1304661110 Killifish Evolution: http://encycloquaria.com/misc/sci/evolution/killifish/.images/00-0-Copr_2017-unknown.jpg
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